Five times I’ve thought of pretty words to begin this with. Five times I’ve stared at the screen. Pale, sparkling tears wash out the moniter’s gleam as I try to write. It’s all blindness, at any rate. Why try to see Truth with a single candle?
What a lark! Virginia Woolf, Wistana Symborska, Sylvia Path all sneer at me. . . their words, my heart. What a plunge! You, a poet! You, madam-- are best suited for a few bitter fairy tales for the children you ought to carry. Yes, you write prettily. It’s charming, really. Don’t cherish the hopes of anything more. You’ll squander what paltry talent your life prizes.
My life. A mere certainty of it is this: poetry must break faith with prose. Life and love can’t hold counsel together. That is the greatest fiction of literature. Humanity wants too much. A woman can’t be successful and loved in the same moment.
I can’t, at any rate. I give too much, too willingly. Love is too alluring. I long for it as I want nothing else. It’s so desperate, just clinging to a thin ledge in a world that is colder than silence. Friendship, romance, love. My family loves me; the rest of the world couldn’t give a damn. Oh, they like me. But I want someone to listen to me, to try, to attempt, to want to understand.
I don’t mean to rail against my friends. I truly do care for all of you, and I’m glad that you’re there for me. I don’t want to burden anyone with my problems-- I should be able to carry them myself. I know you try, and I’m thankful-- what a ridiculous word, gratiude is an emotion so enslaved to duty-- for you. But I hurt inside tonight. I feel as if “I’ve given my love to a world that didn’t want it anyway.”
I’ll have a good cry and feel better for having unleashed myself with my pen, and then return to usual self. But I am-- more than “half-sick of shadows.” And there is still a choice to be made, and soon. Life or love? Emily or Marianne, Camille or Camie, the writer or the woman?
Do I have hold the right to claim the heart of a poet?
What a lark! Virginia Woolf, Wistana Symborska, Sylvia Path all sneer at me. . . their words, my heart. What a plunge! You, a poet! You, madam-- are best suited for a few bitter fairy tales for the children you ought to carry. Yes, you write prettily. It’s charming, really. Don’t cherish the hopes of anything more. You’ll squander what paltry talent your life prizes.
My life. A mere certainty of it is this: poetry must break faith with prose. Life and love can’t hold counsel together. That is the greatest fiction of literature. Humanity wants too much. A woman can’t be successful and loved in the same moment.
I can’t, at any rate. I give too much, too willingly. Love is too alluring. I long for it as I want nothing else. It’s so desperate, just clinging to a thin ledge in a world that is colder than silence. Friendship, romance, love. My family loves me; the rest of the world couldn’t give a damn. Oh, they like me. But I want someone to listen to me, to try, to attempt, to want to understand.
I don’t mean to rail against my friends. I truly do care for all of you, and I’m glad that you’re there for me. I don’t want to burden anyone with my problems-- I should be able to carry them myself. I know you try, and I’m thankful-- what a ridiculous word, gratiude is an emotion so enslaved to duty-- for you. But I hurt inside tonight. I feel as if “I’ve given my love to a world that didn’t want it anyway.”
I’ll have a good cry and feel better for having unleashed myself with my pen, and then return to usual self. But I am-- more than “half-sick of shadows.” And there is still a choice to be made, and soon. Life or love? Emily or Marianne, Camille or Camie, the writer or the woman?
Do I have hold the right to claim the heart of a poet?
