Let me tell you a story.
Before I turned the page to girlhood, I had grown to love the heavens. I would watch the stars come out, and gaze with longing eyes up at the moon. A great craggy, silver coin just beyond my reach, and oh, how I wanted it. I built a rocket with swift little fingers, folding cardboard inserts next to the engine container so it could fly-- fly-- like I have always craved, and regally descend, floating on a striped parachute of grace. I read books about white-suited heroes in sterile space. They were so far removed from earth that nothing could touch them. It was all white, clean and aloof, like a symbol of purity steadily streaming on heaven’s grounds. I used to need things and feelings to be white and clean, like Maud says in Possession,
“I have this vision of a clean white bed.”
The stars were just great shimmering jewels of white heat so far above me, and you couldn’t touch them. It was allure--no, it was more than mere enticement. It was not mine, and it never would be, and oh, how I wanted it. Because it didn’t want me, you see. It was impassive. And I would sit out until ten or so on wet Saturday evenings, my cheek pressed against the shivered blades of grass, and wait for the stars to come out.
But there are clouds in Oregon at night when I grew up, and they dull the clarity with grey strokes. Fog unrolls from sloping hills and creeps in, wraith-like, as a misty spirit bent on obstruction.
So I stopped watching, and learned to love the flowers and the warmth of the light against the back of my neck. The Lady can reach Camelot in these times, you know. She does not have to float, barren in her lily-whiteness, along the shuddering bank of river. And there are goldenrods growing in the fields by that deep river, an azure canvas for little teardrops of gold from heaven.
I cannot come in white now. Time has prevented us from laying bare our works of progress in untitled form. Because if I ask You to paint me, dab roses and pansies and make me worthy of Your sonnets, it would merely be illusion. We don’t believe in untruths any longer. I have no desire, at any rate, to be Your creature. There are solitary paths to take and refuges to hide in. We gather herbs and flowers, grind them, and paint ourselves like courtesans.
So where’s the story gone, you ask, from the twisting paths of mossy ground? Is it best to ‘come in white’ or learn to colour your own soul? To stay at the hearth’s home or to wander on clouded terraces?
We learn to look down from the stars, and know that there is no ending, just a beginning shrouded in the mist that falls from the mountain.
Before I turned the page to girlhood, I had grown to love the heavens. I would watch the stars come out, and gaze with longing eyes up at the moon. A great craggy, silver coin just beyond my reach, and oh, how I wanted it. I built a rocket with swift little fingers, folding cardboard inserts next to the engine container so it could fly-- fly-- like I have always craved, and regally descend, floating on a striped parachute of grace. I read books about white-suited heroes in sterile space. They were so far removed from earth that nothing could touch them. It was all white, clean and aloof, like a symbol of purity steadily streaming on heaven’s grounds. I used to need things and feelings to be white and clean, like Maud says in Possession,
“I have this vision of a clean white bed.”
The stars were just great shimmering jewels of white heat so far above me, and you couldn’t touch them. It was allure--no, it was more than mere enticement. It was not mine, and it never would be, and oh, how I wanted it. Because it didn’t want me, you see. It was impassive. And I would sit out until ten or so on wet Saturday evenings, my cheek pressed against the shivered blades of grass, and wait for the stars to come out.
But there are clouds in Oregon at night when I grew up, and they dull the clarity with grey strokes. Fog unrolls from sloping hills and creeps in, wraith-like, as a misty spirit bent on obstruction.
So I stopped watching, and learned to love the flowers and the warmth of the light against the back of my neck. The Lady can reach Camelot in these times, you know. She does not have to float, barren in her lily-whiteness, along the shuddering bank of river. And there are goldenrods growing in the fields by that deep river, an azure canvas for little teardrops of gold from heaven.
I cannot come in white now. Time has prevented us from laying bare our works of progress in untitled form. Because if I ask You to paint me, dab roses and pansies and make me worthy of Your sonnets, it would merely be illusion. We don’t believe in untruths any longer. I have no desire, at any rate, to be Your creature. There are solitary paths to take and refuges to hide in. We gather herbs and flowers, grind them, and paint ourselves like courtesans.
So where’s the story gone, you ask, from the twisting paths of mossy ground? Is it best to ‘come in white’ or learn to colour your own soul? To stay at the hearth’s home or to wander on clouded terraces?
We learn to look down from the stars, and know that there is no ending, just a beginning shrouded in the mist that falls from the mountain.
