Camille
Sense and Sensibility
Star Wars: Dark Force Rising
Seventeen Against the Dealer
Salamandastron (Redwall book)
Star Wars: The Approaching Storm
Cabaret (the DVD)
Celine Dion's All the Way: A Decade of Song
Moulin Rouge 2
Then when I got home, I called Alise and we went out for frozen yogurt and watched some of Cabaret. Awesome movie. . . some of the scenes in the beginning bear a resemblance to the Moulin, so my little brother (he's 10) said to me:
"I think this is a ripoff of Moulin Rouge."
Me: "This was made thirty years before, honey."
My obsession is gradually effecting others. I find it amusing that my brothers can sing/quote along to a movie they supposedly hate. And my younger sister. . . hmm, she tried to steal MR 2, but I refused to let her.
I need to start writing again. I've been a slacker lately. Not only my fanfics, but my original stories as well. I think I'm going to start writing children's stories. I know I can write those. Right now, when I try to write short stories that adults would read, I feel like I'm reaching outside myself. Well, I probably am. What do I know about life? I haven't even graduated from high school yet. Besides, I'm not the next Annie Prolux or Raymond Carver (although he is very distantly related to me through my papa. I'm related to a famous writer!) I'm (hopefully) the next L.M. Montgomery. If all goes well, I'll write things that children will treasure. See. . . well, it's like this. Crummy poem, ignore the structure, focus on the ideas please. I wrote it quickly.
I like innocence.
Pretty things delight me
And make me clap my hands
I'm afraid of shadows
And evil in our lands.
I like to laugh, not cry
Rosebud tea sets
Filled with herbal tea
Honey butter on my scones
Pass the sugar, please
I still love pretty dresses
I have a tiara on my shelf
I adore sparkles, glitter
And puppets on my bed
I like things that are beautiful,
And sweet, and pure, and clean.
Which is true. It doesn't require any deep analysis to find that out about my personality. But since the topic of the day is our facades, I have to admit that there's a side to me nobody really is acquantined with. If they even know it's there. It's the part of me that love the hectic atmosphere of the Moulin Rouge, and watches Cabaret without disapproving. A passionate part of me that just loves the noise and colour and brightness. It's the hidden portion of me that's not so quiet and clean, and I never let it out. Sometimes it colours what I do, but it's never in full control. So I keep on my pretty, conservative clothes, and wear a little makeup.
I love dances. Real dances, I mean, not the school ones where you sit in church dress and try to get your date to loosen up. Dances where the only illumination comes from the glittering silver ball in the center, and it seems smoky, even though you know a person with a cigarette hasn't ventured near the room since its construction. Where the pulsating beat of the rhythm floods your body and you can't help but dance with your hips swaying and body rocking, moving more than any of your friends thought you could.
I've only been to one of those dances.
I do like pretty, clean things, and I do like my world. But part of me wants so desperately to reach outside of it and just say "Screw you all," to all the conservative people I know. Which is quite a few. . . I've got two conflicting sides to me. The calm, caring, intellectual side that does well in school and will be a wonderful English teacher and possibly a children's author. And then there's the passionate side of me that just wants to run away to Paris and see what it's like there.
I know which side's going to win, because it always has. In choices and relationships, I always choose to play me that everyone knows. The quirky hopeless romantic with good grades and a ready smile. And maybe that's not such a bad thing. Supernovas are violently gorgeous, but they fade so quickly. And those quiet little stars just shine on for a long time. It's a good life. But still. . . I wonder.
Either way, it's a show. Nobody can ever be who they truly are, because no one wants to see the real faces behind the masks. They want life to be boxed up into neat little categories, and you can't have that without people acting out their roles. Authentic selves are so messy. You can't stereotype them or predict the next move they'll make. Shakespeare doesn't ride strictly on his reputation. All the world is a stage.
Maybe, in the next life, we'll learn to live and accept each other for who we are. Not the person we nearly fool ourselves into believing we are. Just our pure, unadulterated selves.
But until then, we know the most important maxim in Moulin Rouge. It's not "all you need is love," as much as we might wish it. Nor is it "diamonds are a girl's best friend." Satine died behind the curtain in the pantomine. Not on stage. The show went on. And so it will . . . for all of us.







